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Detective Maeve Kerrigan is away for a colleague's wedding, and she's enjoying an excuse to spend a beautiful fall weekend relaxing in the English countryside. It's a much-needed break from the grit and grime of her daily life on the London police force. But even at a wedding, the job is never far away.
Midway through the reception, Maeve and her abrasive but loyal partner on the police force, DI Josh Derwent, are called back to London. A fellow policeman has been murdered, in a compromising position in a public park at night. And when Maeve and Derwent arrive to speak with the victim's family, his wife and daughter are surprisingly cold and reticent, which adds further layers of complexity to an already delicate investigation. And Maeve knows the victim and his family aren't the only ones with things to hide: the dark secret that her boss, Superintendent Godley, has been keeping for years is threatening to blow up in his face, and if that happens, they'll all be caught in the aftermath.
Pulled between her loyalties to Godley, Derwent, the victim of a murder, and her own driving sense of right and wrong, Maeve will be forced to decide how much she's willing to risk in the name of justice in The Kill, Jane Casey's most intimate, compelling novel yet.
- Sales Rank: #433752 in Books
- Published on: 2015-06-02
- Released on: 2015-06-02
- Original language: English
- Number of items: 1
- Dimensions: 9.47" h x 1.16" w x 6.39" l, .0 pounds
- Binding: Hardcover
- 336 pages
Review
“Solid procedurals with exceptionally well-drawn characters whose relationship continue to develop in each entry…Prime crime fiction.” ―Booklist (starred review)
“A captivating police procedural heavy on characterization that will keep readers up late into the night…The voice of the novel is unique and captivating. Casey's talent for constructing several different storylines and bringing them all together in the end is what makes this a great read.” ―RT Book Reviews (4½ stars)
“Casey's police procedurals go from strength to strength.” ―The Sunday Times (UK, One of the Top 10 Crime and Thrillers of 2013)
About the Author
JANE CASEY was born and raised in Dublin. A graduate of Oxford with a master's of philosophy from Trinity College, Dublin, she lives in London, where she works as an editor. The Kill is her fifth novel in the Maeve Kerrigan series.
Most helpful customer reviews
10 of 11 people found the following review helpful.
My favourite crime series.
By Liz Barnsley
Thank you to the author and publisher for the review copy.
Maeve Kerrigan is used to investigating murders.But this time a killer has struck far too close to home…
When a police officer is found shot dead in his car, DC Maeve Kerrigan and DI Josh Derwent take on the investigation. But nothing about the case prepares them for what happens next: a second policeman dies . . . and then another . . .
The Metropolitan Police struggle to carry out their usual duties, but no one knows where or how this cop killer will strike again. While London disintegrates into lawlessness Maeve’s world starts to fall apart too. For if the police can’t keep themselves safe, how can they protect anyone else?
The fifth adventure for Maeve Kerrigan already – seems like only yesterday I started that journey and these days a new Jane Casey book is always one of the highlights of the year for me, so when this one dropped through my letterbox I promised myself that the weekend would belong to Maeve and Derwent. As it happened only a couple of hours overall was required which should tell you just how addictive these books are – plus of course there is my huge literary crush on Derwent, a character who, if he came to life, would be fighting us off as I know I am far from being the only one. Hey he would love it! And I’d win….
In this instalment, police officers are dying and there appears to be no rhyme nor reason to it – no-one is safe, not even Maeve’s nearest and dearest and the fact that I don’t believe Ms Casey would be adverse at any point to killing off one of our favourite characters kept me right on the edge of my seat. Add to that some of the ongoing threads of Maeve’s story starting to come to a head, and Im surprised I didnt suffer more than the odd papercut in my desperation to keep turning the pages.
Crime fiction being one of the most popular genre’s, it is hard to keep things fresh and new, keep the reader involved in the characters and the story but in this case it seems almost effortless. There is a beautiful ebb and flow to these novels overall, not just in this particular story but as an ongoing tale – with each new book you sink deeper into this world and each time there is something new to learn about the characters, their motivations and their relationship to each other, all influenced and impacted by what has gone before. On top of that each one has its own complete story within whichever current mystery is being unravelled – you can actually pick up any single one and not feel like you are missing anything. There is a subtlety to the writing that lets you know the things you need to know without the use of endless exposition and “previously on” type paragraphs that can take a constant reader out of the equation – in that respect these are perhaps some of the most cleverly constructed crime novels out there. I’m not constantly thinking “I KNOW this already I’ve read them all for heavens sake!” but equally I’m reminded gently of what has led us here. That is not easy to achieve – I know, I read a lot of crime fiction.
I often see these described as Police Procedurals, and I guess thats a fair description if you are looking solely at the basics. But personally I dislike that tag for the Kerrigan series, it gives the impression that this is “by numbers” writing. It is anything but – it is the art of creating a group of characters, putting them into varying and often dangerous situations and letting them live. It just so happens that in this case they are Police Officers, but thats not all that they are by any means, and there is nothing generic or standard to be found here. Jane Casey has a humerous and realistic touch that just makes everything brighter and more substantial. Magic on the page yet set in the real world.
I love Maeve. I love that she’s a bit useless sometimes but also intuitive, loyal and lovely. I ADORE Derwent with every fibre of my being despite the fact that as a woman I should probably often frown at his antics and show some disapproval. But hey, I’ve always been one for the bad boys. Surrounding them are many more authentic and often enigmatic characters, none of which you would want to be without – and here we are full circle to earlier in my review – edge of the seat stuff!
Anyway, I guess you can say I kind of liked this one. Now I’m going away to deal with my Derwent withdrawal. Sigh.
5 bright shiny stars plus an extra gold star just because. Go read them now. Go on…I promise you won’t be sorry.
4 of 4 people found the following review helpful.
Who is killing the cops?
By Denise Crawford
This is the 3rd book featuring DC Maeve Kerrigan that I have read though it is actually the 5th in the series. As always, I think one enjoys a series more if it is read, in order, from the beginning. The author does a good job giving enough backstory to keep a less faithful reader in the loop, however, and I didn't feel completely lost.
Maeve and her boyfriend, Rob, are enjoying an evening wedding in Somerset with the rest of her team when she is sent back to London with DI Josh Derwent -- there's been a murder -- a police officer has been shot dead inside a car in Richmond Park. But that's just the beginning. Even as the manhunt and investigation ramp up, more cops are killed. Are these killings connected? The case is complicated from the beginning and the narrative is solid police procedural.
The only jarring note is the constant emotional barrage from spending time inside Maeve's head with her relationship issues, her ambivalence toward Josh, her reactions to being a female in the police, and her self-esteem concerns. Perhaps I am in the minority, but I don't like Derwent and I definitely don't want Maeve to end up with him romantically. For all her rushing heedlessly alone into dangerous situations, she really comes off at times as immature and wishy washy.
Also, I'm American and I noticed the anti-gun sentiment. I can't for the life of me understand how police in the UK do not carry weapons on the streets or in their patrol vehicles. It seems like, since the criminals might have guns, that tasers, handcuffs, or batons aren't quite enough in confrontations and when going door to door -- there are some real crazies out there!
Despite all, I do enjoy this series and will look for the next book by this author. Thank you to NetGalley and St. Martin's Press for the e-book ARC to review.
2 of 2 people found the following review helpful.
"We are vulnerable."
By E. Bukowsky
In Jane Casey's "The Kill," Detective Constable Maeve Kerrigan is attending the wedding of a fellow police officer in Somerset when Superintendent Charles Godley dispatches her and her partner to investigate the murder of Terence Hammond. Detective Sergeant Hammond was an off-duty police officer who stopped his car in a wooded area of southwest London on his way home from work. Someone shot the forty-two year old Hammond, a married man and the father of two children, and subsequently drove away from the scene. There are few clues, although there is plenty of speculation: Was Hammond having an affair? Had he made enemies in the line of duty? Could this have been a random shooting?
Maeve Kerrigan is an insightful sleuth who notices things her colleagues often miss. Being paired with Detective Inspector Josh Derwent is no walk in the park, however. Derwent is a sexist pig and a pain in the neck. When the two of them interrogate witnesses, Kerrigan repeatedly has to smooth things over when Josh makes his usual tactless and offensive remarks. Maeve puts up with his shenanigans because she knows that he is a dedicated and hard-working individual who would do anything to protect her from harm.
What makes "The Kill" so absorbing is not its forensic or investigative details as much as the narrative's psychological underpinnings. Maeve and Josh are caught up in departmental politics, never a pleasant situation; something serious is troubling Godley, but he will not reveal what it is; and Maeve is guilt-ridden, since she is keeping a secret that, if revealed, would destroy the career of someone whom she greatly admires. While the detectives try in vain to solve the Hammond case, fresh episodes of horrific violence claim still more victims. Casey has written another puzzling and involving police procedural with nicely drawn characters, a gripping plot, and a fair amount of sardonic humor. The finale is action-packed and exciting, albeit a bit far-fetched. Readers who prefer tidy conclusions may be annoyed by the cliffhanger ending, but fans of Maeve Kerrigan will not want to miss the latest entry in this consistently absorbing series.
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